- Jahrgang 163 (2013)
- Vol. 163 (2013)
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- Ausgabe 2
- Nr. 2
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- Seiten 581 - 585
- pp. 581 - 585
Vincent Lefèvre: Portraiture in Early India. Between Transience and Eternity. Leiden/Boston: Brill 2011. XIX, 219 S. (Handbook of Oriental Studies. Section Two, South Asia 25.) ISBN 978-90-04-20735-6. € 99,—.
Seiten 581 - 585
DOI https://doi.org/10.13173/zeitdeutmorggese.163.2.0581
1 A. K. Coomaraswamy: “The Traditional Conception of Ideal Portraiture.” In: Journal of the Indian Society of Oriental Art 7 (1939), pp. 74–82.
2 E.H. Gombrich: Art and Illusion. A study in the Psychology of Pictorial Representation. London 1960.
3 T.G. Aravamuthan: South Indian Portraits in Stone and Metal. London 1930, p. 9.
4 V. Lefèvre: Commanditaires et artistes en Inde du Sud. Des Pallava aux Nāyak. Paris 2006.
5 I have written on the subject: see C. Pieruccini: “Some Indian Myths on the Origin of Painting.” In: J. Vacek (ed.): Pandanus '05. Nature in Literature, Myth and Ritual. Prague 2005, pp. 41–57.
6 Fully developed in M. D. Rabe: The Great Penance at Māmallapuram. Deciphering a Visual Text. Chennai 2001.
7 M. Willis: The Archaeology of Hindu Ritual. Temples and the Establishment of the Gods. Cambridge 2009.
